Showing posts with label WAMPP. Show all posts
Showing posts with label WAMPP. Show all posts

Monday, March 11, 2013

AWP 2013- Boston Recap














I am actually too tired to write about things I just spent hours doing for a magazine. I was asked before I left if there was a possibility that a piece could capture the event for an editor/writer friend Val Russel, and of course I said yes.

The whole event was a huge undertaking, for AWP organizers and attendees. I am pooped. But came home with so much under my belt. I made new friends, and hooked up with semi-old ones. Athena and I are planning our next adventure in Seattle, and that's all she wrote. At least for now. I will catch up with my NOLA haunted plantation pics and posts. It is forefront on my mind as I made friends with some NOLA fiction writers, mainly Maurice Ruffin via the Seamus Heaney/Derrick Walcott keynote event Thursday evening, who are a part of Peauxdunque Writers Alliance, say that three times, all of whom were naturally southern friendly, because they consented to having dinner and drinks with us, which lead to a long night. We were invited to an after after party, but tired as we were no was said. If I was only ten years younger!

I also made a connection to more poets out of NYC, and one has coined a new phrase for me 'Literary Band', which now I can share with Flora, my partner in poetry jazz rhyme. The group Rough Magic lead by Cornelius Eady has consented to perform at WAMPP in May out of North Jersey. Yay! I also made friends with a group of Nipmuck Native Indian (north eastern tribe) Poets who have consented to perform in the future and to submit to my Cowboy Poetry Journal. Larry Spotted Crow Mann perform his tribal drum (a sacred honor for his people) and I find it is still popping along with Book of Hooks guitar and violin.

So much, so little energy to keep going...

I will say I have finalized not one, but two new manuscripts that are going out this week; one is for a contest I was just encouraged to try for through Finishing Line Press, and the other I will publish through Red Dashboard Publishing has begun to receive feedback in my email file. Lots of excitement, but there is always dark before the storm, and I am learning to forge my character and reactions according to the fires temperature. All is good and well.

I will post when the article appears, and any other submission I just sent out today.

(photo above is Cornelius Eady and Rough Magic performing at AWP 2013- featuring Cornelius Eady top right, writer Robin Messing top left, and bottom composer/guitarist,  Charlie Rauh, and violinist Concetta Abatte. Book of Hooks poetry chapbook and CD's)





Wednesday, August 25, 2010

Hello Again!






















Yes, I have been busy. this is Annmarie Lockhart of Vox Poetica Poetry and Publishing (my newest poem 'Waiting' and 'Arch' were published on her site) helping me man the table- checking ID's for wine sales, so the other guys could have a break. Do I look sunburned- oh hell yes I am. I  had sun screen on, but it became over cast and this is not a good combination for a 'ghost white fair skin girl' like me.

I will be back this next week with poetry, photos and stories. WAMPP Festival is over until October 23rd at the winery and a few fundraiser parties people are throwing. Oh how I am ready to get back to the writing, and a little more serious about working out with Brian, my gym trainer- he let me have two weeks off to run around and get things together.

Oh and I have some news, I will upload video this weekend of my new group- Red Dashboard. Musician friends Eli and Flora are doing music with my writing in the recording studio, with my reading. Twice we have performed in front of the public and they really seem like what we are doing, so we will officially begin next week working on new material, and a CD release. Poor Annmarie had to be part of my performance art last Saturday when I did a piece called 'Summer Kiss'- but you will see that in the video. We had fun, oh what fun...sultry fun!

Hope all is well with you, and I am starting to have some free time to catch up with you all! Miss ya'll! I am ready for our trip to Spain too...life is good, hope yours is good too! Hugs to everyone!

Sunday, July 4, 2010

Starting An Open Mic





















Jessie asked me a good question "Do you have any tips on starting an open mic"? Yes, there are some basic rules for Open Mics, no matter who, where or what they are, and these are what I have learned and worked for me the past two years. I began in my cafe in the health food store on Monday nights, and then we moved closer in to Princeton, and now have three locations each month.

Either works- once a week, twice a month, or just once a month. I do all three with each, people will come.

If you're interested in music and entertainment, love people, late-night crowds and lots of fun, an open mic night might be something you want to consider starting. The open mic format can vary from comedy to bands playing music and even poetry readings. Think about what you want the event to feel like and follow some of these suggestions to make it run as smoothly as possible.

LOCATION- One location decided without telling us they wanted it to stop thirty minutes before they closed, and that only gave us an hour and half for open mic. So consider, traffic and people who work. If the location is not as visible, somewhat popular, or doing well it will affect the open mic. Scope it out well on each night of the week, and that helps to spread the word to their locals. 
  • When you approach them, have two Date and Time options, and you may not want to compete with other established Open Mics in the area, so they can attend yours as well. Give them a print out with your ideas and demands ideas, then set an appointment to confirm everything.
  • Bars: People who come are not their to listen, not a good place for poetry, only music.
  • Coffee Houses: Typically a good place for anything- poetry and music
  • Diners: In this economy they are hurting, so they may have a section they will give you, and do not be surprised if they say "Let's try it out first".
  • Other: Check gourmet shops, art houses and galleries, or even empty strip mall spaces. We actually had our Cafe Improv begin there, and then it moved to the new building in Princeton.
  • Libraries and community centers: I attend several poetry readings in Libraries from time to time.
 RELATIONSHIP WITH OWNER: This is very important! I have found the most relaxed atmospheres are when the owners have no qualms about the open mic. They usually want you to do it on a slow night, make sure no one brings in outside food or drink, and periodically during emcee stands, give them a shout out/credit for your success.
    PRESS- Make sure you find out the local paper contacts and send in your brief bio and contact info at least a month before you begin. Papers are glad to list happenings around town, but keep it current. You may find some do not change info and you still get calls about another location from time to time.

    GUIDELINES, or otherwise known as 'Open Mic Policy'-

    1. Establish your authority. If you have a powerful stage presence, you're in luck. The key is make sure everyone knows who's the boss of this show, in a friendly way. Don't be afraid to make tough decisions.

    2. Prepare the venue. Make sure the stage is set up properly and that the mics are checked ahead of time. Get to know the sound mixer, so that you can adjust volume on-the-fly during a performance. I have seen some open mics not have a microphone, and reality is- that juicer or espresso machine begins to grind and sputter, some people hard of hearing, or annoyed attendees will not come back. Look professional.

    3. Always have a sign-up sheet and predetermined idea of how many can perform within the time limit

    4. In general open mics give freedom of speech in respect to children/minors being present we ask performers to restrain from usage of harsh/foul language in poetry, songs, or any spoken word content.

    5. Each performer (depending upon time start/end) two to three pieces to perform, whether musician to poet

    6. Keep equipment (bags, guitar cases, amps, etc.) off to the side and not out in open- under and around tables as to keep down accidents/casualties of guest and attendees from tripping or seemingly cluttered space

    7. Have materials ready/chosen as you are called to the microphone- dead silence is not pleasant

    8. Music Equipment must be tuned and ready- Not many people want to wait as you tune your guitars

    9. No liquids are allowed at or near electrical equipment such as mic or speaker areas- hazardous

    10. Keep the vibe of the open mic live and electric. Quickly and smoothly follow one act with another. Don't let the mood go wildly up and down. Keep a steady curve to the mood of the night. You can do this by stalling for time as the host when necessary, or by shooing off someone who is trying to monopolize the mic. Engage the audience by encouraging applause, as you go up to introduce the next performer.

    11. Make sure all performers know when they are supposed to go up to the open mic. If they know which act they are to follow, that's even better. It gives them prep time so they can get onstage and start performing when their time slot opens up.

    12. There are always going to be complaints, and those people who like to tell you how to run the open mic- be gentle and let them know that you are doing the best you can, thank them for their suggestions, and you will consider it. People come and go, numbers go up and down; it is just the way of any business or social aspect of life- do not let it make you feel like you are doing something wrong, just go with the flow...

    Optional Ideas:

    Offer Performance Art Instruction at least once a month- this helps beginner and nervous performers feel more comfortable behind the mic, and should be given by various seasoned performers, or Emcees of open mics.

    Offer Open Mic Set-Up Instructions to young adults who perform at the open mics to get them familiar with set-up, equipment usage of all spectrums of running an open mic, and if volunteers are needed each night. Use Interns from colleges to your advantage- you might want a night off, or find yourself sick, so have open mic covered with an assistant organizer.

    I run three locations of open mic in my area, and now have started WAMPP- Wine Art Music Poetry Project, so its been different each time, but still the basics are the same. Chose your location wisely!

    Thursday, April 29, 2010

    Wine Art Music Poetry Project- Outdoor Festival




















    Or known as WAMPP- "Poetry and Music can be wondrous healing factors in one's life"- This is something I have wanted to get off the ground since my open mic, Cultural Art Expression group began a year and a half ago.
    • Musicians
    • Artist
    • Poets
    • Writers/Authors
    • Children Performers
    • Playwrights
    • Wine
    • Food
    • Children Activities
    • Art Gallery
    • Sculptures
    All will be available for your pleasure, and entertainment will collaborate upon two stages while the public enjoys their works for free in Pennington, NJ. 

    The photo above is the muse for the artwork being designed for our posters and signs, as well as an idea I had when reading one evening. Between Bryan Borland.com, Jessie Carty @ 58 Inches, Annmarie @ Vox Poetica , and many others I now read and follow, I feel it was appropriate to place their books together for the photo. Well, along with one of my favorites, Shakespeare.

    BTW- not to interrupt this programming for us ADHD readers, but Annmarie host a weekly Thursday Podcast each week, go check it out and you can hear past guest read their works which I believe is the coolest show, and a good way to hear how a poet intended for their works to be heard!

    Things are moving along with WAMPP, as we are waiting for some zoning permits, and such. Alisandra W. at Straube Center is the most delightful girl. She initially contacted me to hold the event on her bosses property, and is an Art Major and has the passion to help make this possible. Straube Center is a non-profit Art and Sculpture Garden located on a sprawling few acres or more of land still housing the original Contreau Distillery. Such a cool space for the hopefully 'annual' event!

    I need more poets. Plenty of musicians available, but I am hoping, so cross your fingers more poets will want to come out and be a part of this great cause.

    This event will be raising money with a partnership of The American Heart Association, Straube Center, and I for Children's- Congenital Heart Disease. Something close to home, as most of you know my daughter Anelisa Diane Dillion passed away almost ten years ago from this birth defect.

    Thank you everyone for making this possible. I believe Charity is part of what makes us caring human beings. Not just the money, but giving our time, outside of work and family. More details as they come...

    Peace,

    Elizabeth Dillion-Stelling

    I also would like to thank Brooke S. Rochon, Web Designer/Graphic Artist for her charity in designing artwork for WAMPP, among other things she has done for me lately. She is an awesome graphic artist, and artist. Brooke You Rock!